Tell us what you sell. We write it, direct it and hand you the film — vertical for the feed, wide for the site, cut to the lengths you actually run. No crew, no set, no shoot day.
75s · 9:16Signal In The NoiseSeventy-five vertical seconds for a system that reads a disaster while it is still spreading. One written line in, nine scenes out.Written, directed and delivered with Notamy.
Vertical, for the feed
Eleven Minutes Early75s · 9:16The ground moves, the city falls, the system sees it first, and a person acts. Vertical, made for a feed.Eleven Minutes Early75s · 9:16The same brief taken again: catastrophe unseen, detected first, minutes bought for people who do not know yet.Small Light Big Storm25s · 9:16A small robot keeps its light burning through a storm it has no business surviving. Twenty-five seconds.Terminal Velocity5s · 9:16One scene standing on its own. Inside a film a scene runs fifteen seconds, or thirty when the moment needs the room — you choose that grain before we shoot.
Wide, for the site
The Corridor Walk60s · 16:9A descent from the Himalayan headwater down to the valley, landing on the corridor that decides who gets reached first.The Unclaimed Reel180s · 16:9Three minutes of story: a restorer finds a frame of something that has not happened yet, and drives to get ahead of it.Descent Into Dawn60s · 16:9A valley held under cloud until the sunrise sets it on copper. First cut.Descent Into Dawn60s · 16:9The same written line, directed a second time. Different shots, same idea, so you can pick.Sessanta Secondi60s · 16:9Two people, three scenes, and they speak. Same two faces from the first shot to the last, lines written with the scene.Panadería Granoro60s · 16:9A girl points at the bakery across the street; her mother takes her hand. Sixty seconds that sell a place by selling a memory.Argus60s · 16:9Sixty seconds for a crisis-intelligence platform: the room, the map, the eleven minutes that matter.One Minute Before Forever96s · 16:9Six scenes, three faces held consistent from the first shot to the last. Ninety-six seconds, no continuity team.L’Ultimo Drago di Veyra64s · 16:9A waking, a prophecy, a dragon. A world that does not exist, shot as if a unit had flown there.Estrazione116s · 16:9An extraction, a rival, and the same man twenty years apart. Two minutes of action, cast kept identical across every cut.
Every one of these started as one written line.
And the sound
The music is written for the cut, not dropped on top of it.
Two minutes, ten shots, one score that turns where the film turns. Watch it with the volume up.
Velocità di Fuga120s · 16:9 · with soundEvery score leaves on a spectrum check.We look at the mix, not just listen to it: that the music sits under the voice, that nothing clips, that the loud part lands on the shot that deserves it. It is the step most ads skip.
Every cut you run
Vertical 9:16 for Reels, TikTok and Shorts. Wide 16:9 for the site and YouTube. Same film, cut for each place.
Your product in frame
Send a photo of what you sell. It goes inside the shots, not next to them.
People who speak
Characters with the same face in every shot, and lines written for the scene, not captions pasted over it.
Scored, not stock
Music written for your cut and checked on a spectrum before it ships. Not a track picked off a shelf.
Days, not weeks
First cut back fast, changes included. A scene you do not like gets reshot, not re-negotiated.
01
You tell us what you sell
Two lines are enough. A link and a photo help.
02
We write and direct it
Script, shots and cast, built around the thing you are selling.
03
You get the films
Downloadable, yours, in the formats you asked for.
